VashiMorphic will not replicate lens flares or the oblong out-of-focus areas like an actual Anamorphic lens. Render out footage to the codec of your choice. Default is 3 pixels with repeat edges on.ħ. Import your footage into the “Your Footage” layer of After Effects.ĭefault setting is 10% Opacity and 200 pixel feather.Ħ. Capture your footage in 16:9 format and frame for 2.35 during the shoot.Ĥ.
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Use a full frame camera with a 28mm or 35mm lens.ĪPS-C camera use a 20mm or 24mm. VashiMorphic40 applied to Canon 5DMKii / Nikon 28mm lensġ.
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I am proud to share with you my free After Effects Plugin Template… VashiMorphic40. It was the ONLY lens used on Roman Polanski’s Chinatown and used 95% of the time on Wes Anderson’s films Rushmore and The Life Aquatic with Steve Zissou. The Anamorphic lens that I chose as the holy grail to emulate is the Panavision Primo 40mm Anamorphic. This workflow has been optimized for cameras that capture 16:9 footage and for lenses between 28mm to 35mm (Full frame equivalent). If you drop your footage into the timeline…you will have access to 3 options that help you achieve the magical look without resorting to additional adaptors or lenses. Getting your hands on Anamorphic lenses is very difficult for the low budget filmmaker… so I created my own After Effects project template that replicates the look and feel of the Anamorphic format. VashiMorphic40 replicates the lens curvature of a 40mm Anamorphic lensįilms shot in the Anamorphic format include: Jaws, The Royal Tenenbaums, Raiders of the Lost Ark, Pulp Fiction, Die Hard, The Parallax View and countless others.
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